Print and download sheet music for hey jude by the beatles. The End Guitar Solo Beatles Violin Sheet Music Beatles Sheet In this piano tutorial we ll play the chords then learn to accompany ourselves smoothly to a pop groove. Unlimited online sheet music 50 off prints get your 1st month free get unlimited sheet music with pass 1st month free. Please let me know what you think about this track in the comments.80 off on annual membership of ultimate guitar pro try now. The final chord is in bare fifths, leaving the song’s minor third/major third dichotomy starkly unresolved A final dramatic and resonant “wo-man” that moves from Ab 4 to F 4.Instrumental details that are easily overlooked, such as Seilwell’s varied drum fills and McCartney’s bass guitar work that explores the upper reaches of the fretboard.Linda McCartney also provides effective descant harmony in each return of the chorus.
Backing vocals: A melismatic part sung by Denny Laine on the later repeats of the chorus and a descending harmony sung by Linda McCartney in the second part of the bridge.The recurring use of sus4 and ninth suspensions and their resolution over the tonic chord of F major.Other points of musical interest in the track include: There is obviously much more to the track than this move between Ab and A natural, but it is my contention that this melodic move is the primary “hook” throughout the song. This is why the word “bed” really jumps out at the listener. The tension between Ab and A natural is given even greater focus in the song’s chorus, where the phrase “sleeping in big barn – bed” begins on repeated notes of Ab before moving to A natural on the word “bed”.
The slightly “edgy” Ab is shortly resolved onto A natural on the descending vocal on “corner” and the tonic chord of F major. The vocals begin with a very bluesy “who’s that com ing round” (with the Ab on the second syllable of “coming”) on the chord of Eb major – the chord on the flattened leading note in F-Mixolydian.
It “grabs the ear” due to the tension inherent in the flattened “blues third” of Ab and the more “Westernised” A natural of the major scale. In truth, there is musical interest throughout the track. As I explained in Volume Two, McCartney must have thought that there was something special about the track, as he used the song as both opening track on Red Rose Speedway and on the James Paul McCartney TV Special.
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